Online Interview with Mike Perkins

Mike Perkins is a very well accomplished artist and inker, working on such books as Spider-Man, The Fantastic Four, Elektra, Captain America, and Union Jack to name just a few. So sit back and join me as I interview, in my opinion, one of the greatest artists in the comic book industry today.

Comic Addiction: To start off, who where your greatest comic book influences when you where a kid?

Mike Perkins: Artistically I’d definitely have to say the 2000ad artists – Mike McMahon, Dave Gibbons, Ian Gibson – but primarily Steve Dillon and Brian Bolland. We had the Marvel reprints over in the UK, which I had been reading from an early age and it was these that set me on the path to being a comic artist but I think I didn’t realize I could do that until Chris Claremont and Herb Trimpe’s Captain Britain was specifically created for the British market. I was six at the time – and knew what I wanted to do for the rest of my life!

CA: Growing up did you ever think you would actually be drawing for a company like Marvel?

MP: Definitely! I had long reaching plans ahead of me and working for Marvel has always been one of the goals of those plans.

CA: How did you get started working for Marvel Comics?

MP: Well, years before my American Marvel debut, I’d actually been working for Marvel UK on some of their juvenile line of comics – Wind in the Willows, Biker Mice from Mars – as well as having strips published in 2000ad. This led to work at Caliber, DC, Dark Horse, Games Workshop and eventually CrossGen. When CrossGen folded Marvel was kind enough to pick up my work visa requirements in order for me to stay in the States (I’d moved to Florida when I got the call from CrossGen). Then they got me working straight away on District X, The Elektra Movie Adaptation and Spellbinders.

CA: I noticed that you have done quit a few covers over the last few years, is there one in particular you like the most?

MP: I’d always love to do more cover work actually. There’s a challenge there to get across an entire story in one image but still design it visually. I’d say that my favorite run of covers would have to be on Kiss Kiss Bang Bang for CrossGen. It was set in the 60’s and I found that I could really play with those specific elements. I tried to utilize a similar design sense on the Union Jack covers.

CA: I first noticed your work on Captain America, your pencils and inks blew me away. Now I have to ask, how did you land a sweet gig like Cap?

MP: Sheer talent, my friend!!! Actually, I’d been helping Steve Epting out on the inks since issue 8 whilst penciling Spellbinders and the Cap editorial office were wondering if it was something I’d like to take over constantly. At the time I was coming to the end of the Spellbinders run and, as much as I love inking, I was really looking for my next penciling job. I mentioned this and they countered with the offer of me penciling and inking alternate arcs alongside Steve. I was defiantly up for that!!

CA: Ed Brubaker, in my opinion, is one of the best writers in comics. How did you like penciling for Ed?

MP: I whole-heartedly agree with your opinion. I’ve been following his writing since his Scene of the Crime series and had been aware of his work before then ( Deadenders, Lowlife) – so he’d been one of those writers on my list of “people I’d love to work with”. Ed’s scripts are very visual but he also leaves you enough wiggle room should you want to add beats to the story.

CA: Did he have a lot of direction for the layout of the books, or did he leave most of that up to you?

MP: Apart from the usual script direction I think we’re pretty much in tune with each other about the flow of the story. For me the whole thing about comics is how to get the storytelling across. The story is the most important thing and it’s my job to get the writers vision across in as clear a way as possible.

CA: Now I know you penciled and inked both story arcs on Captain America, how long did it take you to complete an issue?

MP: I’d say it usually takes me a month to pencil and ink a book but – as was the case with the Civil War tie-ins when I was also penciling Union Jack at the same time – sometimes less. I believe issue #23(the Winter Soldier and hologram Fury issue) was completed in three weeks – and, visually, that turned out to be one of my favorite issues!

CA: Do you prefer to do both pencils and inks or just pencils on a single book?

MP: Overall, I prefer to do both pencils and inks. For me it’s more of a singular vision – it’s almost exactly what I’ve seen in my mind’s eye when I’ve penciled and inked myself.

CA: With the recent events of Captain America #25, how do you think Cap’s death will affect the series and the marvel universe as a whole?

MP: As shocking as the events in #25 were, speaking as a fan, the events in #26 are even more astounding. I was slack-jawed when I read the script and thrilled that I got to draw such an important scene. I think the reverberations of Cap’s death will be felt throughout the entire Marvel Universe for some time.

CA: Your work on Union jack is astounding, how did you end up working on the mini-series?

MP: Just after I’d accepted the Captain America alternate arcs I was at the Chicago convention and ended up talking to Andy Schmidt. I’d realized that I’d need something else to work on during the time I wasn’t doing the Cap arcs and seeing as Union Jack was involved in the recent Captain America run (albeit briefly at that time), I figured we could keep it in the same family of comics – and, this being just after the London bombings, I suggested a Union Jack story with him dealing with terrorism in his homeland. At that point Andy walked away. I really didn’t think the idea was that bad! But then he returned with a proposal along the same lines, written by Chris Gage. Enthused by this I put together a promo piece to accompany the pitch – and we got the commission.

CA: Chris Gage wrote an excellent story for this mini series, had you worked with him before this?

MP: I’d read, and really enjoyed, the Deadshot mini and, at that time, I think that was one of the only things that Chris had done which was out there. To me it was one of my deepest ambitions to work on a Union Jack comic so when I’d read the pitch and proposal – swiftly followed by the first script – I was more enthused than ever.

CA: What was your favorite thing about doing Union Jack?

MP: Like I said, I was working on the Civil War Cap issues at the same time and those issues are overflowing with emotional resonance and deep characterization so, to be simultaneously working on an all out action series was fantastic. The fact that the characters all had their own voices and agendas was a bonus. I also had the opportunity to redesign a few of the heroes and villains involved – such as Sabra, The Arabian Knight and Zaran and Machete. That’s always fun. And then there’s that iconic Union Jack costume!

CA: Are there any plans for another mini or ongoing series?

MP: I’d love to do another mini alongside Chris but the sales didn’t set the charts alight. The trade collection hits the stands in July so, should it sell in vast amounts, we may get the chance.

CA: I’d like to change gears a bit and talk about your inking. I noticed that you inked issue #2 of X-men: Deadly Genesis with Scott Hanna. How does one share inking duties on a book?

MP: I believe Marvel was looking for an inker for Trevor Hairsine and they asked me to do a couple of pages. Those two pages are the reason I got credited on issue 2.

CA: We’ve talked a lot about your work at Marvel, but you have done inking with a few different companies; DC, Crossgen, Top Cow. You have inked a lot of artists work, are some easier to ink than others?

MP: I don’t think that “easier” is the appropriate description. There are different approaches to different pencillers. If you compare a Rick Leonardi to a Phil Winslade then you’re going to get a diversity of style but that’s not to say that one is easier than the other.

CA: Whose pencils did you enjoy inking the most?

MP: That’s a tough one – because, when I get the chance, I love inking other pencillers. Rick Leonardi was a joy to ink. His work is so free and fluid. I’d been a big fan of George Perez from an early age so it’s always a pleasure to ink his pencils. If I had to choose I’d say it has to be Butch Guice. Everything is there in his pencils but you get a sense that you can also add to them when you pick up that brush. There’s such a sense of place and a level of professionalism to his work that it’s hard not to love inking those pages. I also have to say this because he sits next to me in the studio and I don’t want any thrown object hitting the side of my head!

CA: What are you working on now and what do you have coming out in 2007?

MP: I’ve currently got the script to Cap#28 waiting patiently for me to finish the penciling and inking on the Annihilation Conquest Prologue. I’m also working on another five issue series with Chris Gage which hasn’t been announced yet – so I’ll leave that to Marvel. As well as all that I’m also wrapping up the inks over Butch on the Mandalay volumes for Humanoids.

CA: One final question Mike, what title would you most like to pencil for? (Favorite character or title)

MP: Strangely enough, I’d love to illustrate a Deathlok book. Seriously! I think that everyone who’s reading this should write to Marvel and tell them to put me on a Deathlok book!!

I’d like to thank Mike for taking the time to do this interview with me and I hope everyone enjoyed it. Be sure to stop by Mikes web site at and feel free an leave me acomment or two. this interview will also be posted at

Online Interview with Mark A. Robinson

The life of Thomas Arashikage has taken him down paths that have allied him with both G.I. Joe AND Cobra. Now he’s away from both sides of the war, and getting into trouble all his own! Storm Shadow returns in his own monthly title written by his creator Larry Hama!

As the release of G.I. Joe: Storm Shadow #1 quickly approaches, I have been lucky enough to interview the creative team behind it. After a brief interview with Larry Hama, the creator and writer, I had a chance to speak with Mark A. Robinson. Mark is a very talented penciller whose works include Codename Knockout, from Vertigo (DC comics), New Mutants (marvel comics) and most recently BloodRayne (Digital Webbing).

Comic Addiction: How did you get the opportunity to pencil the upcoming Storm Shadow series?

Mark Robinson: I was just finishing up some work for TopCow when I was contacted by Susan Bishop from Devil’s Due via a message board account. It was pretty sudden.
We chatted. She asked if I wanted to draw ninjas. I said “hell yeah.” Case

CA: Did you know anything about Storm Shadow before this?

MR: Sure. I watched GI Joe as a kid every day. I’m a fan of the Cold Slither

CA: Did you change your drawing style at all for this series?

MR: No. I got a lot tighter than I’ve done before. I think I actually went back
to a “style” that I was tinkering with before TopCow- That I was putting
down on a creator owned project called COCKFIGHT. (Shameless self plug)

CA: Along with pencils, did you do the inking for this book?

MR: Nope. I couldn’t ink my way out of a paper bag. This is all going to digital
colors…Hence the need for tighter pencils.

CA: What was it like penciling Larry Hama’s script?

MR: Larry’s old school with his scripts…There’s not a lot of direct panel to
panel description which gives me a lot of visual freedom of movement. I love
that. I would suspect most artists would these days- I have seen scripts
that basically gives a panel to panel description of the art taking place on
the page. Panel placement, character descriptions, the whole nine…Not a lot
of creative freedom at all. Takes the fun out of it at times, so Larry keeps it loose. Loose is good.

CA: Did he give you a lot of direction or where you free to layout the issue as you wanted too?

MR: There was give and take. Everyone pitched in. Sometimes Larry would be very
specific on the action on the page. Sometimes I would put forth some things that I felt worked for the scene. It’s a collaborative effort all around.

CA: How many issues will you be penciling?

MR: Every one…Until I’m dead or they find someone better…no seriously. We have a
6 issue run planned as of now. This is my longest streak on a book to date. It should
be a challenge…Commitments are nice.

CA: What did you enjoy most about working on this issue?

MR: The ethnic diversity of the cast and the locales are nice changes. I’m real
big on bringing more ethnically diverse books into the mix, main stream…whatever. It’s nice to have a main character embody that. Thomas is an interesting character brewing with a lot of internal conflict. Larry is doing a great job of showing everyone that.

CA: Along with Storm Shadow, what else do you have coming out in 2007?

MR: I have some BloodRayne coming out this year (BLOODRAYNE PLAGUE OF
DREAMS from Digital Webbing Presents). Actually next week! Go get it!
Besides that- I’m all about Devil’s Due and you’ll be seeing a lot of Storm

CA: One final question Mark, What title would you most like to pencil for? (Favorite character or title)

MR: Nightwing. Hands down. I have an obligation to my peeps at my local comic
shop to make that happen. I also love to take a run at John Constantine.

Online Interview with Larry Hama

The life of Thomas Arashikage has taken him down paths that have allied him with both G.I. Joe AND Cobra. Now he’s away from both sides of the war, and getting into trouble all his own! Storm Shadow returns in his own monthly title written by his creator Larry Hama!

With the upcoming release of GIJOE – Storm Shadow #01 from Devils Due publishing, I had the pleasure of interviewing Larry Hama about this book.

Rodney Ford: As a bit of back ground info, Storm Shadows first appearance was in GIJOE #21(marvel comics 1982), “silent interlude”. Can you tell us a bit about how Storm Shadow came into being the assassin we all know and love?

Larry Hama: I got to the end of ARAH #21 and got the idea to use him matching hexagrams bit. I didn’t even really know what the connection was between the two characters at the time. But that was the first link. Hexagram 65 of the I Ching (chi chi,) is called “After Completion.” It connotes the instability of perfection because the trigram K’an (water) strives to move downwards, while the trigram Li (fire) pushes upwards. I actually chose that hexagram because the symmetry made it easier to remember, but the meaning turned out to be synchronistically apt. Jung would have been amused.

RF: Did you ever think Storm Shadow would be as popular as he has been for the last 25 years?

LH: I didn’t think ninjas would ever catch on. But then, I worked on one of the first US Nintendo print ad campaigns for Dentsu Y&R and I remember thinking that such a weird product name would never catch on in America.

RF: Storm Shadow is one of the most recognizable and popular characters throughout all of the Gijoe franchise. What do you think makes him such an appealing character?

LH: His story is about the power of redemption. He masters arcane arts and disciplines and is a loyal and good friend to Snake-Eyes, but he is torn apart by envy and pride. Somehow, he finds the strength to get it all back together. Okay, he’s got cool ninja outfit and neat weapons and kicks major butt, but I think his back-story is a major appeal to
those who actually read the comic continuity. I really can’t say about the animated material, since I have not really seen more than an episode or two.

RF: Tommy has gone threw a lot of changes in the last few years. Will this story focus on his inner war as opposed to his war with Cobra and the Joes?

LH: Intrinsically, it will be all about his inner war, but not overtly. I really hate stories where characters sit around and talk about how they feel. I think we should get that information from the action of the story. This is not radio drama.

RF: How did the Storm Shadow ongoing series come about? Did Devils Due approach you to write the series?

LH: Yep. Mike O’Sullivan e-mailed me.

RF: Can you give us any details about the series? Will there be any guest appearances?

LH: Ah, those are surprises.

RF: Have you worked with DDP before? How has your experience been working with there incarnation of GIJOE and subsequent characters?

LH: I’ve done one four issue arc of one series, a four issue limited series and a short story. But I haven’t really worked with the new incarnations and the newer characters. I feel more comfortable in my own turf.

RF: What do you think of Mark Robinson Pencils? Do you feel his style compliments your writing?

LH: Difficult to say at this point. I only have a few pages to judge from and some of them are not in order. It’s impossible to judge continuity without the whole thing there, “After Completion,” you know. But from what I have seen, his drawing is very solid, and his acting has some cool subtlety to it that is a welcome relief from the usual snarling
and teeth-grinding.

RF: If I where to ask you why I should pick up this book, what would your response be?

LH: You put me in a difficult position. I always felt that blatant self-promotion was, well, unseemly. Whatever I do at any time is always my best shot within the real world parameters of the job. I only had a week to write and draw #21, but I gave it all I had. When I have more time to do a job, I tend to get carried away on the research. I am most comfortable with writing and drawing. I’m NOT a good salesman. A cobbler should stick to his last. I would say, please try this book. You might like it.

RF: Do you have anything else in the works with Devils Due?

LH: No, but I have some episodes of Robot boy coming up on Cartoon Network next season and five graphic history novels from Osprey. Also a video game for Curious/Game Lab that I have been working on for a year, and a new secret project with Pepe Moreno.

Online Interview with Adam DeKraker

By Rodney Ford

As a follow up to my review of Star Wars – Legacy #8, I’m proud to share with all of you my interview with Adam DeKraker. Adam was kind enough to answer a few questions regarding his work on this issue and what projects he has worked on in the past. He is a very talented penciller and Inker, having done work for DC comics, Marvel comics, Topps, Upper deck Entertainment, and Nickelodeon Magazine to name just a few.

RF: How did you get the opportunity to pencil a Star Wars book?

DeKraker: I just kept bugging the editor, Randy Stradley, whom I’d met at a convention a couple years back. Just kept sending him the stuff I was working on and let him know I’d be eager to give it a go at Dark Horse. Luckily, the project that opened up was this cool Star Wars gig.

RF: I noticed that there was no inker listed on this book. Did you ink this issue or did colorist Ronda Pattison?

DeKraker: This book was “shot from pencils,” something that’s becoming more common these days as technology has advanced. I scanned in my finished pencils, which, unlike a traditional comic’s page destined for inks, included some gray tones and shading. I fiddled with the pages a bit using Photoshop on the computer, and then sent the files off to Dark Horse. After that, Ronda did all the coloring magic. There is no proper “inker” on a book shot from pencils, but I think it’s fair to say that ideally both the penciller and the colorist put in a little extra work to mind the gap, and “complete” the art, by keeping the penciled work more precise than it may have to be if an inker is working over it, or choosing which lines to darken to make them look black like ink.

More and more books are being shot from pencils these days, with pretty mixed results. The end result can look more painterly with a talented colorist on hand, which can be nice, or the whole thing can just look washed out and unfinished. Unfortunately, I think the latter tends to be more common. Skipping the inker saves on time and money for a publisher though, so it’s becoming something you see more often.

Luckily for me, Dark Horse did a nice job on this. It’s the first time I’ve worked on something where I knew there wouldn’t be an inker and I was pretty nervous about how it’d look in the end. But, I think Ronda did some nice work here.

I still prefer an inked book, generally, but I do look forward to playing around like this again.

RF: What did you enjoy most about working on this issue?

DeKraker: Well, it was my first chance to do work shot just from pencils, so it
was fun to see how that turned out in the end. Having been nervous
about it initially, it made seeing the end result more rewarding.

Beyond that, getting the chance to work on something John Ostrander had
written was quite an honor. And to have it be Star Wars to boot, an
honor, and a bit intimidating!

RF: When you got the script for this issue how did you go about laying out the issue? Or did John already have notes regarding how he wanted it to look?

DeKraker: Generally, the layouts were up to me. Certain sequences or panels had specific directions, but I’d say the majority of the “visual storytelling” decisions were left to me. John’s script was very detailed in terms of what he wanted to make sure was on the page, and he had the script broken down into panels, but after making sure those
elements were there and that it was hitting the same beats, the actual layouts were pretty much up to me.

RF: Are you going to be doing any more issues of Legacy?

DeKraker: If they’ll have me back, I’d love to! I hope so. We’ll see.

RF: So I read some where that you also do inking. Do you have any inking projects in the works?

DeKraker: No straight inking projects in the pipeline right now. I’ve been doing a fair amount of inking over my own work on various little projects lately, like some Upper Deck trading cards and some special promotional projects at DC, as well as some pin ups that’ll be popping up here and there, but it’s been awhile since I inked another artist. Inking someone else can be a nice break from working in your own style, allowing you to stretch a bit. It seems Nickelodeon Magazine often reprints some of the stuff I do for them, so you can always keep an eye out for some of that.

RF: What are you working on now and what do you have coming out in 2007?

DeKraker: I’ve been doing a lot of strange little side projects lately. Like over at DC, I worked on the adaptation for the new Court TV series Til Death Do Us Part, starring John Waters as the Groom Reaper (crazy, right??), and illustrating all the photos for a Daily Planet newspaper for a Con Edison promotion. Collections of my work on Birds of Prey and Super girl & the Legion of Super-Heroes are hitting the stands in the coming months, and there are various pinups and trading cards and things that’ll be popping up here and there. I’ve got another project I’m working on, but not prepared to announce.

RF: One final question Adam, What title would you most like to pencil for? (Favorite character or title)

DeKraker: I really am a big super hero fan, so all the usual suspects, I suppose. At some point, working on the JLA is my dream, but right now I really enjoy the more second tier characters at both companies. I think I’d do a great job on Robin at DC. There’s a ton of weird characters I’d just get a kick out of working on, like Ragman, the Creeper, Iron Fist, or Animal Man. I’d kill to work on a project with a film noir vibe.

There are certainly some writers I’d jump at the chance to work on. I’d love to do something with Brian Bendis or Peter David.


I hope you enjoyed this interview, please feel free to visit my comic space page for updates on upcoming interviews and reviews. Once again I’d like to thank Adam for taking the time to do this interview with me and I look forward to seeing what else he can bring to the comic world in the future.

Don’t forget to stop by Adam’s web site at

Greenlantern # 16

Review by Rodney Ford

“Wanted: Hal Jordan (chapter three)”

Writer: Geoff Johns

Penciller: Ivan Reis

Inker: Oclair Albert

Colorist: Moose Baumann

Letterer: Rob Leigh

Cover: Ethan Van Sciver

Assistant Editor: Elisabeth V. Gehalein

Editor: Peter Tomasi

Pilot Hal Jordan was chosen to represent an intergalactic police force created by the oldest beings in existence — The guardians of the universe. Protecting earth and all of space sector 2814 from every extraterrestrial threat imaginable. Hal Jordan shines his light proudly as the GREEN LANTERN!”

Characters: Global Guardians, Rocket Reds, Green Lantern, Sentinel, Batman, Superman, Wonder Woman, Vixen, Black Lightning, Hawk Girl, Black Canary, Arsenal, Red Tornado, Captain Jillian “Cow Girl” Pearlman

Green lantern….. Just reading the title brings out the kid in me, and this issue doesn’t disappoint. Chapter three continues the “Wanted: Hal Jordan” story line, written by Geoff Johns. Once again Johns continues to seamlessly tie multiple characters into a free flowing and compelling story.

This issue continues with Hal trying to escape the faceless hunters and the Rocket Reds, as he tries to find Cow Girl, the justice league arrives to put a lid on the situation. The JLA engages the Rocket Reds as Hal explains what’s been going on. Sentinel confronts Hal, refusing to let him pass until he explains his actions. I won’t go into this much more, but I do want to point out how nicely Johns writes the interactive dialog between the JLA and Hal. This Reveals Wonder Woman’s light hearted attitude since Infinite Crisis and Hal’s guilt over cow girl getting shot down, as he puts it “she would be in this mess if I’d played it safe.”

On the other side of this issue you have Amon Sur attacking Edwards Air force base. I thought this guy was intense when Kyle Rayner took him on before becoming Ion, but I have a feeling Hal is going to have quit a fight on his hand next issue. What I find most interesting is that GL has is own prison where a few of his resent enemies are being held. I look forward to seeing the final show down.

Now I just want to say that I have been reading comics since the late 70’s and I’m happy to see the quality of artwork and printing improve as much as it has in the last 10-15 years. Ivan Reis has done a wonderful job of penciling on this entire run, especially on the full page spreads. I really enjoyed green lanterns constructs; the giant hawk taking on the Rocket Reds was outstanding.

The only complaint I had with this issue was with the inks. For the most part I like the inks, but on some of the panels they seem to dominate the pencils. Now the issue does appear to take place as the sun is setting, which may be what Reis and Albert where trying to pull off in this issue. Over all this is another great issue of Green Lantern and is a definite must have. If you haven’t read issues #14 and # 15 go pick them up, this story arc is worth reading.

Star Wars – Legacy # 8

Review by Rodney Ford


Writer: John Ostrander

Penciller: Adam Dekraker

Colorist: Ronda Pattison

Letterer: Michael Heisler

Cover: Colin Wilson

Assistant Editor: Dave Marshall

Editor: Randy Stradley

After the death of Emperor Palpatine, the defeated Imperial forces pulled back to the planet Bastion and called a truce with the new republic. For decades, peace flourished, until an invasion of extra-galactic aliens called the Yuuzhan Vong killed trillions and devastated worlds. A galactic Alliance of remaining systems, Jedi, and the Imperial remnant finally defeated the invaders.

Peace was restored, but decades later the Imperial remnant once more proclaimed itself an Empire– with a more benign Emperor on the throne. A century passed, and a new breed of sith, numbering more than two and lead by Darth Krayt, emerged to join the newly reforged Empire. Together they manufactured an incident that sundered the Galactic Alliance and began a brutal war. Now, the Empire is poised to regain control of the galaxy. Yet the intention of it’s sith allies remain shrouded…”

Characters: Emperor Roan Fel, Darth Krayt, Imperial Knights

If you haven’t picked up an issue of this series, now is a good jumping on point. Especially since Dark Horse is releasing a trade of the first six issues coming in April (Star Wars: Legacy Volume 1—Broken *Collects issues #1-3 and #5-7 of the Legacy ongoing series.). This issue focuses on a back story of Emperor Roan Fel and his dealings with the sith Lord Darth Krayt. Let me take a minute to explain a bit about Legacy and where it falls in the star wars time line.

Legacy takes place approximately 130 years after the battle of Yavin (the end of episode IV). The story centers on Luke Skywalker’s descendant, Cade Skywalker, who’s father along with nearly all the Jedi on Ossus are wiped out by the Sith. The story moves forward seven years and Cade is a bounty hunter, hunting down renegade Jedi. Did I get your attention? Good, now there’s a lot more to Cades story so go out and pick up the trade or the individual issues if you can find them.

Now let’s get back on topic, this issue sheds some more light on what happened just prior to the attack on the Jedi Temple on Ossus. The story revolves around Emperor Fel and a couple of his Grand Admirals. Admiral Veed strikes a deal with lady Maladi, to kill the emperor so he can take the throne. Needless to say there’s a lot of double dealing and miss trust to go around. I liked this story, but I think it could have been better if they had lengthened the story out one or two more issues. Obviously this would take away from the main plot line of the series but it is interesting to see how everything started.

I’d like to talk about the artist that penciled this issue, Adam Dekraker. His style stays on track with the rest of the star wars legacy books. I like the way most of his characters come off looking truly evil or at least menacing. The panels are well laid out, giving this book a lot more depth. I also need to note the colorist, Ronda Pattison. As it turns out Adam finished the pencils and Ronda worked her coloring magic to complete this issue, with out an inker.

But that is a tale for another article, which I will be posting here later this week. Adam has been nice enough to answer a few questions about his past present and future work in the comic industry. I’ll post a link on my comic space page when the article is ready to go. Until then I hope you like my review, feel free to stop by my page or just drop me an email. (

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